A workshop to seek interdisciplinary expert perspectives on ethically and visually representing the historical place of misrepresented peoples and locales.
In laying the groundwork for understanding how white supremacy bled into French popular culture, we can more clearly understand the relationship between French cultural production, power, and race.
France established one of history’s largest overseas empires, one predicated on close liaisons between cultural imperialism, racism, and political supremacy. In exploring this empire, this project will approach ethical visualization by analyzing two key corpora:
Endorsed by the French state’s Ministry of Education for use in schools, the Journal des Voyages reached a broad reading audience with its plain-language imperial news, accessible illustrations, and readership-grabbing colonial-themed fictional narratives. The realistic accounts interspersed with fantastic fictions open the opportunity to contrast how the French understood imperial events with how they imagined their empire and the world’s diverse inhabitants. In laying the groundwork for understanding how white supremacy bled into French popular culture, we can more clearly understand the relationship between French cultural production, power, and race. Working with these key historical corpora will allow the project directors to contribute to building a framework that provides a training model and adapts an ethical visualization workflow for this and future digital humanities projects.